A conference of the Haydn Society of North America (HSNA) will take place at the Vancouver Sheraton Wall Center Hotel, prior to the meeting of the American Musicological Society / Society for Music Theory. We are seeking proposals concerning any work regarding Joseph Haydn and his circle. We also anticipate a joint session with the American Beethoven Society and invite proposals for this session linking the two composers. Presentations accepted for the AMS/SMT conference itself may not be read at this conference. Papers read at the conference may be solicited for publication in HAYDN: Online Journal of the Haydn Society of North America (haydnjournal.org).

Scholars are invited to submit proposals for individual papers or lecture/performances. Papers and presentations should not exceed 30 minutes and include an abstract of no more than 400 words. Please submit complete proposals as an attachment in Word or PDF to Michael Ruhling (Michael.Ruhling@rit.edu) by July 15. Presenters are expected to be members of HSNA at the time of the conference.

We thought that you might like to know about an Entertainment being offered in Cambridge during the summer. Our friends at Dr Derek McCulloch’s Café Mozart will perform music by Haydn, “the Shakespeare of music,” & his contemporaries, including song settings of poems by Goethe, “the German Shakespeare” at Trinity College on 17 July. The event is free to ticket holders – you can claim yours here.

Conductor Ben Palmer (R) and Denis McCaldin

The Director of the Society, Denis McCaldin, writes:

Last night we attended an all-Haydn concert for Good Friday. This was a special event for any number of reasons, not least as it gave us an opportunity to celebrate the anniversary (24th March 2015) of our establishing a commemorative plaque to Haydn in London.

Above all, this was the first performance of a new arrangement of Haydn’s devotional masterpiece The Seven Last Words of Christ on the Cross, prepared by the evening’s conductor. Ben Palmer maintains a small but fine portfolio of ensembles under his direction, including the recently established London Haydn Project. For this occasion however, he brought another of his groups, the Orchestra of St. Paul’s to their namesake church to perform his new arrangement. The Haydn Society of Great Britain has been delighted to support Ben throughout the arrangement and rehearsal process.

Ben notes

This new version is a transcription for string orchestra of Haydn’s original orchestral version, restoring the details omitted from the rather rudimentary string quartet publication of 1787, which left out much important thematic material and contrapuntal complexity.

The Seven Last Words has a grave subject matter but is a remarkably classical work, a structurally rigorous set of Sonatas. For latitude of expression, we were given an exciting first half of the concert. The Symphony No. 26, ‘Lamentatione’ (Hob I/26) was also intended for performance during the Easter week, featuring the seasonally apt chorale melody of the second movement. This work an early exemplar of the Sturm und Drang (‘Storm and Stress’) style certainly benefitted from a well-rehearsed ensemble and daring variation in dynamics. The shoots of Spring forced their way out in the vibrato-light élan of the final Menuet.

The Cello Concerto in C (Hob VIIb/1) was performed by Korean cellist Hyunah Park. An assured and well-prepared rendition, the concerto brimmed with life and the humour that the layman more readily associates with Haydn. Ben’s orchestra proved a lissom, flexible partner in the performance particularly in the control, blend and range of the combined woodwind and horns.

This was a wide-ranging concert that showed the cosmopolitan – and Mass-attending – Haydn at his most comprehensive. It was super to chat with a number of the audience during the interval about the Society and the engage with the continuing interest in this composer for whom London and the English sensibility was a second home, not a year after we had put up the first plaque to his memory just the other side of the Charing Cross Road.

Here’s a special event for your diary. The Orchestra of St Paul’s are to play Haydn’s Seven Last Words in a new arrangement for string orchestra by their conductor Ben Palmer at a concert in central London on Good Friday. Mr Palmer writes

This new version is a transcription for string orchestra of Haydn’s original orchestral version, restoring the details omitted from the rather rudimentary string quartet publication of 1787, which left out much important thematic material and contrapuntal complexity.

Also in this concert there is a performance of Haydn’s Cello Concerto in C with Korean virtuoso cellist Hyunah Park, as well as his Symphony no. 26. The Haydn Society of Great Britain is proud to be supporting this concert. More details may be found here.

Happy New Year! As 2016 gets underway, we thought we’d let you know about some performances of Haydn’s music that are being given in the first part of 2016.

We’re particularly pleased to be supporting a concert of Haydn’s music on Good Friday in central London. The Orchestra of St. Paul’s in association with the Haydn Society of Great Britain give the world premiere of Ben Palmer’s string orchestra arrangement of Haydn’s Seven Last Words of Christ on the Cross, as well as Symphony No. 26 and the Cello Concerto in C, at St Paul’s church Covent Garden on 25 March at 7.30. You can find more infomation here.

In addition, the Orchestra of St. Paul’s under Ben Palmer will be giving an account of Haydn’s Symphony No. 59 at St Martin-in-the-Fields on 28 January. Ben is an enthusiastic advocate of Haydn and has formed a special spin-off concern to perform Haydn’s music – his London Haydn Project will be performing Haydn and Mozart the week before this central London concert at the Parish Church of Sarum St Martin, Salisbury on Sunday 24 January.

As ever, do let us know if you are involved in performances or events concerning Haydn and his music. We’d love to know more and share the news!